Do you write reviews of historical novels? The Copperfield Review is actively seeking submissions of historical novel reviews, including subgenres such as historical mysteries, romance, even historical fantasy. We also accept submissions of reviews of nonfiction history books and biographies of historical figures, as well as nonfiction books about writing and creativity.
We publish reprints, so if your review has appeared on your own blog or elsewhere and you have the rights, we will consider it for publication. Be sure to check our guidelines for how to submit your work.
We’re looking forward to reading your submissions. Please repost if you know of other fans of historical fiction who write book reviews!
Written by Samantha Silva
Published by Flatiron Books
Review by Meredith Allard
The caveat for this novel comes after the story where author Samantha Silva notes what most of us figured out while we were reading–that this is not a biographical sketch of how A Christmas Carol came to be but an imaginative “What if” about how Dickens might have come to write the world’s second most famous Christmas story. The Dickensians among us might easily fall into the trap of thinking “This didn’t happen,” “That didn’t happen,” and “There’s no way on earth that ever happened.” To fully enjoy this book we need to leave what we know about Dickens aside and simply enjoy the novel for what it is, a sweet retelling of the classic story using Dickens himself as the Scrooge who needs to discover the true meaning of Christmas. I highly recommend this novel for those who love Dickens, love his Carol, and are looking for a unique retelling of the tale.
Meredith Allard is the Executive Editor of The Copperfield Review.
Written by Preston Fleming
Review from The Copperfield Review
Maid of Baikal by Preston Fleming is a speculative historical novel, as it states in the book’s title. Fans of traditional historical fiction should be warned that this is a “What if?” novel based on the question “What if the White Russian army won the Russian civil war?”
The story of Maid of Baikal centers around Zhanna Dorokhina, a romanticized version of Joan of Arc who strives to beat back the Bolsheviks through military force. Like Joan of Arc, Zhanna believes she is on a divine mission as she leads her army, in this case the White Russian army against the Bolsheviks. The battle scenes were well written and compelling, and I found myself rooting for Zhanna to win. I felt as though I was there in Russia since the descriptions were so vivid and specific.
As an avid reader of historical fiction I wasn’t expecting to enjoy this book as much as I did. Normally I don’t care for alternative historical fiction because it defies the reason I like to read historical fiction, which is that I get to learn about the past. Even though some of the details presented in Maid of Baikal are the result of imagination, there is still a lot of history to learn here about the Bolsheviks, the Russian civil war, and Russia itself.
Creating a Tolstoy-like epic, Fleming shares a realistic, vivid world within the Russian civil war with rich, multi-dimensional characters that reveal various aspects of humanity as seen in war time, all made more fascinating by the question “What if?” If you love historical fiction and you’re open to speculative circumstances different to that of historical facts, then you will enjoy Maid of Baikal by Preston Fleming. Readers with an interest in Russia and Russian history will also enjoy this novel.
Written by Madeline Miller
Published by HarperCollins Publishers
Review by Meredith Allard
This is simply an outstanding piece of literature. Miller’s simple yet lyrical style pulls you effortlessly into the poetry of the Iliad. Here we focus on Achilles through the eyes of Patroclus, the young prince who is banished from his land for accidentally killing another boy and he is taken as a companion for Achilles. Patroclus and Achilles become partners in every way, and the Song of Achilles is really a love song between the two men. This isn’t simply an attraction between Patroclus and Achilles. This is a deep, abiding love that transcends death.
If you’re familiar with the Iliad (which you do not need to be to enjoy this book), then there are few surprises here except perhaps for the scope of the relationship between Achilles and Patroclus. There is no twist-filled ending here: the fate of the two men has been sung about throughout the ages. Still, Miller ends this tale in a way that is perfectly heartbreaking, but in a good way. Despite war, broken promises, and the loss of all one holds most dear, there can be peace in the end.
This is not a retelling of the entire story of the Iliad. This is one version of one story as told through the eyes of the man who knew Achilles best. I’m looking forward to reading more from Madeline Miller.
Meredith Allard is the Executive Editor of The Copperfield Review. Visit her online at www.meredithallard.com.