He arrived on Sunday, after a winter of sleep and snow. A jester with clear blue eyes, pale lithe hands and white flowers in them. He smiled and said, I come in peace. I ply my trade with buffooneries and riddles, and the joking tambourine accompanies my laughter. Enjoy my gifts, you beautiful city, and the good time I bring. He bowed in reverence, with the beauty of an angel. And it was Sunday.
On Monday Florence woke up at the song of hundred birds, colourful plumes of fast-winged spirits. Sun bathed the city roofs and its rays made the Cathedral’s spires shine and glow. Here it comes an unforgettable season, people rejoiced. For the jester had promised.
On Tuesday boys chased girls in the streets, calling them funny names like the jester had told them. Naked shoulders in the sunshine heat, naked feet on the humid lawn, great expectations and longing hearts. They laughed and laughed, they played and played again. And they were happy.
On Wednesday the artist began his most amazing painting, of a pale young man with white flowers in his hands. He gave him the beauty of an angel, blue starlight in his eyes. Which flowers are they, jester – but the model stood up and walked. Wait, the artist said, I haven’t finished yet. You won’t, replied the jester.
On Thursday the lords in their high palaces wanted to declare the war to end all wars, for a never-ending peace. Money to buy armies to buy weapons to buy yet more power. To earn yet more money for the richest city of Christianity. But the smiling jester told them to wait, for war was no longer needed. And so they waited.
On Friday he invited the people of Florence to celebrate and party. He went down to the streets, taking their hands and dancing around, drinking red wine and eating warm bread. They made rhymes and ballades together, singing the praise of loving souls, of kindred spirits, believing in eternity, sizing the fleeting day. Like yesterday never was, like tomorrow would never come.
In peace I came, he said, and kissed people of all ages, sex and races, rich and poor, beautiful and ugly, filthy and elegant, nobles and peasants. He caressed Lady Beatrice’s soft cheek, and brushed children’s head with his delicate fingers.
It was late at night when his Lady came to him. So scared she had been, the week spent burning in secret, yet hesitant on her steps. Are you wise enough to befriend a fool? Are you foolish enough to believe what he says? But not that night – that night she believed, and her feet followed him under an immaculate moonlight. His skin was whiter than the moon itself, and his touch as gentle as butterfly’s wings, bestowing pleasure and divine wisdom. What’s your name, my Lord, she whispered in awe. One you don’t want to hear.
When Florence rose from slumber on Saturday afternoon there were no songs, no flowers, and all birds were gone. A hot sticky rain was dripping on their faces and insects crawled on their wet skin. Sunlight had disappeared under a blanket of fog and clouds masked the Cathedral’s spires. In thousands they were dying, without mourning of the living, abandoned in fear, desperate beyond despair.
As a ghost in the darkness, a cart with its sinister bell sound came over, slowly parading in the streets. The jester strolled along, clear blue eyes shining in compassion, and face covered by a beak-like mask, white as his hands. Soothing sick people, whispering words to their moribund ears, caressing their gaping buboes.
He visited taverns, churches and houses, a silent shadow of doom. And on the red linens of their beds he threw the asphodels of the Black Death, his voice crystalline and sweet, the touch suave of an Angel of Plague.
Russell Hemmell is a French-Italian transplant in Scotland, passionate about astrophysics, history, and speculative fiction. Recent work has appeared in in Aurealis, Argot Magazine, The Grievous Angel, and others. Find them online at their blog earthianhivemind.net and on Twitter @SPBianchini. “1348” originally appeared in Strangelet, 1.4, November 2015.