As the Executive Editor of The Copperfield Review, I’ve been able to interview such literary legends as John Jakes and Jean M. Auel. Recently, I had the opportunity to interview another literary legend, Barbara Taylor Bradford.
Barbara Taylor Bradford has written the notable New York Times Best Sellers A Woman of Substance, The Ravenscar Dynasty, and The Women in His Life, among many others. Her newest novel is Cavendon Hall, now available from Amazon and other book retailers.
Meredith Allard: I admit, when I read the synopsis of your newest novel, Cavendon Hall, I jumped at the chance to read it because it reminded me of Downton Abbey, which is one of my all time favorite shows. Was Downton an inspiration for Cavendon Hall? Were there other inspirations for Cavendon Hall as well?
Barbara Taylor Bradford: No, Downton Abbey was not my inspiration for Cavendon Hall. In fact, the outline for this book and the sequel I’m now writing (The Cavendon Women), was created six years ago. I did not present it to my publisher at that time because they were looking for books set in the present from me. I wrote Cavendon Hall in 2013.
FYI, I have been writing family sagas since A Woman of Substance, including six sequels toAWOS, making it a seven book series, set at Pennistone Royal (the stately home in Yorkshire), and at Harte’s Emma’s department store in London. A Woman of Substance was a six-hour mini-series for television, and was followed by two more series, Hold the Dream, and To Be the Best, made from my books. Stars in these shows were Sir Anthony Hopkins, Sir John Mills, Liam Neeson, James Brolin, Nigel Havers, Deborah Kerr, Jenny Seagrove, Lindsey Wagner, Victoria Tennant, Fiona Fullerton, and many renowned actors.
Altogether, ten of my books have been made for television, nine by my husband, Robert Bradford, who is a movie and television producer, as well as the manager of my career.
I wrote another family saga, The Ravenscar Dynasty, about the Deravenel family, also set in Yorkshire, London and other parts of the world. The UK newspapers say I re-invented the family saga for this generation, and created the first department store dramas with the Emma Harte series, long before all those recent television shows. They call me the “undisputed queen of the family saga” in the UK newspapers and magazines.
The idea for Cavendon Hall and The Cavendon Women came to me when I was thinking about the long friendships I personally have had with my women friends, some over thirty years. I was suddenly taken with the idea of writing about two girls who grow up together and remain lifelong friends. . .Cecily Swann and Delacy Ingham, and I took it from there. It begins in 1913.
M.A.: Tell us about Cavendon Hall. How would you describe it to potential readers? How is it similar/different from what readers have come to love about your novels?
B.T.B.: Cavendon Hall is a family saga about two families, the aristocratic Inghams, and the Swanns, their retainers, who have stood by the family for 160 years. It is not actually an upstairs-downstairs novel, but an upstairs-in-the-middle novel, with the downstairs servants taking a smaller role in the story. As the First World War looms, a devastating event threatens the Inghams, one of which could bring the family down. Certainly it changes the future for them all. It is a blend of history and drama, romance, betrayal and loss. It ends in 1920. The sequel, The Cavendon Women, starts in 1926, and picks up the previous story of the Inghams and the Swanns.
M.A.: Do you enjoy writing historical fiction? What are the particular joys/challenges of writing historical fiction?
B.T.B.: I love writing fiction. It is a great challenge, but also it’s like starting out on an adventure, especially historical fiction. Going back into the past is intriguing and full of possibilities.
M.A.: For me, researching historical fiction is always the most challenging part of writing historical fiction. What is your research process? Do you travel for research? How do you incorporate the facts of the era with your fictional story?
B.T.B.: I do most of my own research because I know exactly what I’m looking for. In this instance, I already knew a lot about the Edwardian era, partially because I researched it for The Ravenscar Dynasty series, and also because being English I am well-versed in the history of England. In fact, it was always my favorite subject at school. When I am researching I prefer to use books by well-known historians, which I trust the most. I sometimes go back to places in England, which I need to refresh myself about. For instance, I went back to Ravenscar in Yorkshire, before I started that entire series. I wanted to get a sense of that place. I hadn’t visited it since I was a teenager. I weave in the true facts of history, and very carefully, because I don’t want the research to jump out at the reader. It is always subtle but correct, and therefore, adds authenticity to the drama unfolding. Research shouldn’t be obvious.
M.A.: You’ve written some of the most beloved novels of all time. I certainly count A Woman of Substance as among my favorite novels. When did you begin writing, and what were your earliest inspirations? Why did you decide to start writing novels?
B.T.B.: I started writing when I was seven years old. My mother had taught me to read at four, and I was addicted to reading. Then I started to tell my own stories in school exercise books. When I was ten my mother sent a story of mine to a children’s magazine. They not only accepted it but paid me ten-shillings-and-sixpence for it. The day I saw my byline my destiny was sealed. I was going to be a writer. Actually I became a journalist. I started on the Yorkshire Evening Post as a reporter, became women’s page editor, and then went on to work in London on various newspapers and magazines. I consider myself to be journalist today and still write for British newspapers and magazines on a regular basis. However, I had always wanted to be a novelist, and I started but did not finish four novels before I had the idea for A Woman of Substance.
M.A.: Your first novel, A Woman of Substance, became a best seller, which is incredible. What was your journey to publication like?
B.T.B.: Having discarded four ideas for novels, at around 100 pages, I asked myself a lot of questions one day: What sort of book did I want to write, where did I want to set and what year would the story start. I came up with these answers: A traditional family saga, set at the turn of the 20th century, and in England, or rather, Yorkshire. I wanted to tell a story about an ordinary woman who becomes a tycoon, a great success…a woman of substance. This thought became the title. I wrote an outline, showed it to a friend in England who was an agent. He told an editor at Doubleday about my outline and gave her my phone number. After reading it overnight, she told me it was the best outline she had ever read, and that it if I wrote it I would have a big bestseller. She was correct. To date the book has sold 35 million copies worldwide, and is now a huge success as an e-book for the first time, published by Rosetta Books.
M.A.: How have you seen the publishing industry change since A Woman of Substance was published?
B.T.B.: Publishing has changed throughout the world. The changes have come about because of the internet and digital publishing. But I always welcome change and my books sell very well as e-books. I have noticed there are “trends” that last for a while, such as the Dracula books, and other. But trends do seem to come and go. One trend that has lasted is the crime novel. It goes on forever.
M.A.: Which authors are your inspiration—in your writing life and/or your personal life?
B.T.B.: I was always influenced by the classics, which I grew up with. My favorite writers have always been Emily Brontë, Charlotte Brontë, Charles Dickens, in particular; Thomas Hardy, and Colette, the French writer. I also have drawn inspiration from their work, and learned a lot about life and writing about life’s experiences.
M.A.: What advice do you have for those who want to write and publish fiction?
B.T.B.: My advice to those who want to write is to actually sit down and do it. However, I think they come to that chair well prepared. I always think out a story to the very end, and I believe that is the only way to go. Once I have thought out the characters and the plot, I write an outline for myself. It’s my blueprint. Once I’m satisfied I have covered everything, I start telling the story. I always do it very systematically, from page one until the end. I don’t jump around, writing bits and pieces and then fitting them. I divide my books into different parts: Part One, Part Two, and so on. I have always done this, and I find it helped me to organize the characters and their lives.
M.A.: Is there anything else you would like readers to know?
B.T.B.: I plan to keep on writing for the rest of my life.
Meredith Allard is the Executive Editor of The Copperfield Review.