Category Archives: Reviews

Mr. Dickens and His Carol

Written by Samantha Silva

Published by Flatiron Books

288 pages

Review by Meredith Allard

 

The caveat for this novel comes after the story where author Samantha Silva notes what most of us figured out while we were reading–that this is not a biographical sketch of how A Christmas Carol came to be but an imaginative “What if” about how Dickens might have come to write the world’s second most famous Christmas story. The Dickensians among us might easily fall into the trap of thinking “This didn’t happen,” “That didn’t happen,” and “There’s no way on earth that ever happened.” To fully enjoy this book we need to leave what we know about Dickens aside and simply enjoy the novel for what it is, a sweet retelling of the classic story using Dickens himself as the Scrooge who needs to discover the true meaning of Christmas. I highly recommend this novel for those who love Dickens, love his Carol, and are looking for a unique retelling of the tale.

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Meredith Allard is the Executive Editor of The Copperfield Review.

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Maid of Baikal: A Speculative Historical Novel of the Russian Civil War

Written by Preston Fleming

Review from The Copperfield Review

 

 

Maid of Baikal by Preston Fleming is a speculative historical novel, as it states in the book’s title. Fans of traditional historical fiction should be warned that this is a “What if?” novel based on the question “What if the White Russian army won the Russian civil war?”

The story of Maid of Baikal centers around Zhanna Dorokhina, a romanticized version of Joan of Arc who strives to beat back the Bolsheviks through military force. Like Joan of Arc, Zhanna believes she is on a divine mission as she leads her army, in this case the White Russian army against the Bolsheviks. The battle scenes were well written and compelling, and I found myself rooting for Zhanna to win. I felt as though I was there in Russia since the descriptions were so vivid and specific.

As an avid reader of historical fiction I wasn’t expecting to enjoy this book as much as I did. Normally I don’t care for alternative historical fiction because it defies the reason I like to read historical fiction, which is that I get to learn about the past. Even though some of the details presented in Maid of Baikal are the result of imagination, there is still a lot of history to learn here about the Bolsheviks, the Russian civil war, and Russia itself.

Creating a Tolstoy-like epic, Fleming shares a realistic, vivid world within the Russian civil war with rich, multi-dimensional characters that reveal various aspects of humanity as seen in war time, all made more fascinating by the question “What if?” If you love historical fiction and you’re open to speculative circumstances different to that of historical facts, then you will enjoy Maid of Baikal by Preston Fleming. Readers with an interest in Russia and Russian history will also enjoy this novel.

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Soaring With Vultures

Written by Dan Kelly

Review from The Copperfield Review

 

I was pleasantly surprised by Dan Kelly’s novel Soaring With Vultures. Soaring With Vultures takes place in Missouri after the end of the Civil War, and though the war itself has ended there is still violence to contend with. Soaring With Vultures is told from the point of view of Leslie Warner, who must watch as his family suffers in the aftermath of the war. Leslie’s sister, Sallie, is embroiled in a bitter divorce, and Sam Nutter, the man she divorces, is a less than savory character. Nutter wages his own war against the Warner family, leading to a murder trial.

Soaring With Vultures has the feel of a western with good guys versus bad guys, so fans of westerns will particularly like this novel. Author Dan Kelly manages to make the murder trial suspenseful, not an easy task when so many murder trials abound in books, television, and film. The history shared in Soaring With Vultures is particularly fascinating, especially for readers who haven’t read much about life during this post Civil War period in Missouri. The story is based on true life events, which adds a certain validity for fans of historical fiction who like their fiction to contain as much historical fact as possible. Soaring With Vultures has been carefully researched, and Kelly has paid a lot of attention to detail, also important elements for fans of historical fiction.

Kelly has an easy to read, conversational writing style, and he pulls readers into the story through allowing the characters, and the facts, to speak for themselves. Readers with a taste for post Civil War fiction, westerns, or murder mysteries will enjoy Soaring With Vultures.

 

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The Irrationalist: The Tragic Murder of René Descartes

Written by Andrew Pessin

Published by Open Books

Review by Richard Moorton

 

The Irrationalist is a brilliant and complex novel, chiaroscuro in tenor, rich in humor and horror, fact and fiction, full of myriad mysteries finally all resolved, set in counter-reformation Europe at many sites, and unified by the intertwining lives of a junior Jesuit Adrien Baillet, coopted to investigate the circumstances of Rene Descartes’ death in Stockholm, and the multifaceted and, as it turns out, mysterious Philosopher himself. Although it is a novel, it is based closely on the real events of Descartes’ life and mysterious death.

The book begins with a rapier duel to the death by two unidentified men in a field in Germany. One is able to move below the guard of the other and inflict a crippling wound to the ankle. When the disabled man falls helpless on his back his antagonist runs him through the chest and walks away. Though cryptic, the scene is crucial. It is precisely dated, and as this novel moves forward and backward in time, dates mark a causal order that must be carefully noted.

In 1649 Descartes had been invited to join the Academy of intellectual luminaries being assembled by the young Swedish Queen Christina—accurately described as one of the most brilliant, eccentric, and colorful queens in history. Soon after his arrival in Stockholm Descartes died, allegedly of pneumonia. Arriving shortly after Baillet meets the sinister Chancellor Zolindius who is arranging the gala to celebrate Sweden’s victory in the just concluded Thirty Years war full of Christian slaughtering Christian over religious hatred and power politics in the Hapsburg Dynasty’s rivalry with France. Zolindius insists that Baillet write a report concluding that Descartes’ death was by natural causes—lest the murder of France’s prominent Catholic philosopher in Lutheran Sweden unravel the fragile peace—but Baillet’s sleuthing tells him otherwise.

With this beginning, the novel flashes back to the birth of Descartes, and his later enrollment in the School for future Gentlemen and Jesuits at La Flèche. Descartes is a lazy if brilliant student, who takes years longer than the usual to graduate and then sets out, accompanied by a servant he has purchased from the Rector of the school, to find a life of pleasure and adventure far different from that which Joachim, his ambitious father, intends for him. From this prologue, a long and fascinating tale unfolds. This is enough of an introduction, as I wish neither to stumble into spoilers nor further encroach on the art of a master.

Andrew Pessin is a philosophy professor at Connecticut College, though I knew him only in passing when I retired from there four years ago. His novel came as a complete surprise. Many professors try their hands at a novel, but this one is different. It is a masterful work of literary art. The author has an authentic and major creative gift. This is literature, and in time it may become a classic. Pessin’s academic specialty is apparently Descartes’ philosophy, and he obviously prepared for writing the novel by researching Descartes and his period in fantastic depth and scope. He made himself an expert on every facet of life of the philosopher and his times. The detail is microscopically rendered. The result is that the reader lives this novel instead of just reading it. The characters are complex and convincing, and their experience runs the gamut from tragic, hilarious, suspenseful, diverting, astonishing, idyllic, and elegiacally sad. The plot is a Chinese box of mysteries, each intriguing, built and unpacked with amazing skill. The book is incredibly subtle, and a two-word phrase in one part may unlock a puzzle beginning hundreds of pages away. The very title is a puzzle: “Who exactly is ‘the Irrationalist’?”

This world is dangerous. Again and again Baillet is told to trust no one, for good reason. He is an unlikely hero who squeaks when threatened, as he often is, but in the end he finds his courage and solves his case. Descartes is a chameleon who will shock the expectations of many readers. The novel is built like a mobius strip, a geometrical anomaly co-discovered by Mobius and (in the novel) Descartes, but it is Descartes who sees in this trinket he invents for his daughter a whole new world of mathematics. In a mobius strip, a geometrical figure which has only one side, a line drawn on it always returns to its starting point. The action of the novel does likewise, as Baillet realizes at the end.

Crafting such a novel is a tour de force, but this book has many wonders. One could go on at length about the arts of the polymath who built a riveting, exciting, relentless and explosive quest for justice, but no review can capture the many arts rich and strange which Pessin has fused into an unforgettable narrative. The only satisfactory review is that discovered by the fortunate reader who experiences the polyphonic ensemble. If you would do this book justice, read it, but beware. It is not for the unwary.

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Richard Moorton, Jr., is Emeritus Professor of Classics at Connecticut College. His interests include Greek comedy, Roman history, Vergil, the evolution of culture, the nature of religion, and Eugene O’Neill.

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The Song of Achilles

Written by Madeline Miller

Published by HarperCollins Publishers

Review by Meredith Allard

 

This is simply an outstanding piece of literature. Miller’s simple yet lyrical style pulls you effortlessly into the poetry of the Iliad. Here we focus on Achilles through the eyes of Patroclus, the young prince who is banished from his land for accidentally killing another boy and he is taken as a companion for Achilles. Patroclus and Achilles become partners in every way, and the Song of Achilles is really a love song between the two men. This isn’t simply an attraction between Patroclus and Achilles. This is a deep, abiding love that transcends death.

If you’re familiar with the Iliad (which you do not need to be to enjoy this book), then there are few surprises here except perhaps for the scope of the relationship between Achilles and Patroclus. There is no twist-filled ending here: the fate of the two men has been sung about throughout the ages. Still, Miller ends this tale in a way that is perfectly heartbreaking, but in a good way. Despite war, broken promises, and the loss of all one holds most dear, there can be peace in the end.

This is not a retelling of the entire story of the Iliad. This is one version of one story as told through the eyes of the man who knew Achilles best. I’m looking forward to reading more from Madeline Miller.

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Meredith Allard is the Executive Editor of The Copperfield Review. Visit her online at www.meredithallard.com.

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Maharanis: The Lives and Times of Three Generations of Indian Princesses

Written by Lucy Moore

Published by Penguin UK (2004)

Review by Rosemary Johnson

 

Jit asked Indira why she looked so sad. If she was about to be married, he said, she ‘should be over the moon’.

‘I’m miserable because I’m getting married,’ she replied.

‘Well, why don’t you marry me?’ came Jit’s response.

The year is 1911 and the location the Dehli ‘durbar’ to celebrate the coronation of King George V. Jit (or Jitendra) is the second son of the easy-going, westernised Maharaja of Cooch Behar, a small province in north east India.  Indira is the only daughter of the Sayajirao Gaekwad, Maharaja of Baroda, who has just insulted King George by bowing once, instead of three times – and turning his back on him – when paying homage at the durbar ceremony.  Although otherwise liberal and forward-looking, Sayajirao and his wife, Chimnabai, have arranged for seventeen year old Indira to be married to the rich, thirty-five year old Maharaja Madhavrao Scindia of Gwalior, in full knowledge that she would be his second wife and live her life behind the purdah curtain, in the zenana.

So far, so Bollywood.  But this is history, not chicklit. Shenanigan followed shenanigan, the lovers egged on by Jit’s mother, Sunity Devi, friend of the British Royal Family and daily celebrity fodder for the British newspapers.  The Indian princely families could not resist the high life in Europe: gambling, horse racing, balls, cricket, polo, motor cars and alcohol – particularly alcohol.  Jit would die of alcoholism, together with his own and Indira’s brothers.

Lucy Moore’s Maharanis: The Lives and Times of Three Generations of Indian Princesses recounts the lives of three generations of princesses in Baroda and Cooch Behar.  One of the strengths is Lucy’s full descriptions of life in purdah.  When Chimnabai, then aged fourteen, arrived in Baroda as a bride, her carriage was curtained, so she saw nothing and nobody saw her.  Zenana women never saw the outside of the buildings in which they lived. They watched, intently, everything that went on in the palace, but their lives inevitably gravitated inward, taken up with squabbles amongst themselves. However, without giving away any spoilers, Indira would never suffer purdah, although her daughter, Ayesha, chose partially to enter the zenana when she became the third wife of Jai, Maharaja of Jaipur – because she was madly in love with him.

This book covers the period in which Indians challenged British rule.  All the princes supported independence, but without appreciating the extent to which Nehru, Gandhi and the Socialist-inclined Congress Party, which, at various times, courted the USSR, were opposed the existence of Indian aristocracy.  With the zenana becoming a thing of the past, Ayesha, a gutsy lady, becomes involved in politics, vigorously opposing Indira Gandhi, with whom she had been at school.

The writing style is occasionally rambling and occasionally difficult to follow, perhaps because we are unaccustomed to Indian names and places, but Maharanis is a well-researched and honest account of an emotional period of history.

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Rosemary Johnson has contributed to FictionAtWorkThe Short Humour SiteMslexiaLinnet’s WingsCafeLit, and Radgepacket.  Her work is based in reality, with a strong human interest element.  Although much of her work is humorous, she has also written serious fiction, about the 7/7 Bombings in London and attitudes to education before the Second World War.

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The Essex Serpent

Written by Sarah Perry

Review by E H Young

 

Sarah Perry’s The Essex Serpent is one of those darkly ominous historical novels that proves quite difficult to define; it’s not quite fantasy, but is nonetheless imbued with a sense of magic and dark whimsy.

I picked it up (as is my wont) entirely because of the cover. And a fitting cover it is too: at first glance all I saw was an attractive William Morris design, and didn’t notice the serpent winding sinuously through ornate leaves. That’s a good parallel to the book itself; the fictional Essex Serpent is as elusive as the one on the cover, wending its way through the minds of the characters and making itself known through strange, portentous events in many ways more frightening than any physical beast with snapping beak and leathery wings could be.

But it’s not clearly a gothic novel or a horror story either. The prose is beautiful and rich. It especially comes to life when Perry describes the Essex countryside: each page is full of the natural beauty of a region it is clear the author knows well. Though the protagonist might not approve of such a description, the way in which Perry describes the natural phenomena around which so much of the novel revolves—the Fata Morgana, the loamy undergrowth of English forests—is nothing short of magical.

Just as elusive and wonderful are the relationships between the characters. Their development does not progress in expected ways and none are neat and tidy enough for the book to be classified as a love story—unless, perhaps, one expands ones definition of ‘love’ outside the traditional sense of the word. The women, too, are an especial highlight of the book: there are wives and mothers but at no point is any woman in The Essex Serpent reduced to such a role. All, Stella especially, prove to have untold depths, often as strange as any natural phenomenon. Their stories, especially those of Cora and Stella, tangentially connected by their shared—though different—love for William, interweave to form the toothsome fabric of a deep, layered story.

Overall, The Essex Serpent is an esoteric, whimsical text that joins the ranks of generations of Victorian and Gothic novels from Doyle to Shelley, at the same time as it defies the very traditions these books have set down.

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E H Young is a writer and bookblogger from Southern California currently living in Edinburgh.

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Plantagenet Princess, Tudor Queen: The Story of Elizabeth of York

Written by Samantha Wilcoxson

Published by CreateSpace

Review by Charlie Britten

4quills

 

Elizabeth of York, daughter of Yorkist Edward IV of England, was married to Henry VIII, a Lancastrian, in 1486, as a peace-offering, following the Wars of the Roses.  The Plantagenet Princess, Tudor Queen (published August 2015) chronicles Elizabeth’s life, from six years old until her death aged thirty-seven, after having borne Henry eight children, five of whom predeceased her, including the last, baby Katherine Tutor, to whom Elizabeth had given birth nine days previously.  Elizabeth lived in turbulent times.  She grew up amidst constant internecine war, battles, hostage-taking, rebellions and political executions – the stuff of Shakespeare’s history plays – and King Henry, whose claim to the throne was tenuous, was under constant threat of insurrection.  Her mother, Elizabeth Woodville, whom she called ‘Lady Mother’, was a social climber and the canniest political schemer of her age; she carried on plotting for the Yorkists long after her daughter had become queen, until she was sent away to Bermondsey Abbey – and even that didn’t stop her.  Elizabeth of York’s brothers were the Princes in the Tower, murdered – allegedly – by King Richard III, although, according to Wilcoxson, Elizabeth had a brief fling with Richard prior to her marriage and never could believe in Richard’s guilt.  (I suspect the author herself of being a Richard III-er.)  So, lots and lots of conflict here, and great potential for a sensational blockbuster.

This, however, was not Samantha Wilcoxson’s style.  The Plantagenet Princess, Tudor Queen is a biography, not a novel and not Hollywood fodder.  Wilcoxson did her research well in that she managed to get under the skin of the age, how people thought and behaved, particularly women.  The fifteenth century was an overtly religious age, a Catholic age.  Wilcoxson never demurred from showing us how Elizabeth, her ladies and her sisters, prayed in every situation, kneeling before an altar in church, before they took any practical action, even as a substitute for practical action.  The author enters into the expectations of fifteenth century women, having Elizabeth’s sister, Cecily, say, in so many words, that she wanted to know who she was to marry and could Henry please let her know.  Elizabeth has to make some compromises, the biggest concerning her simple-minded cousin being a prisoner in the Tower.  Wilcoxson shows Elizabeth, who was known not to be interested in politics, to be ladylike in an old fashioned sense, a devoted wife and mother.

Wilcoxson does not attempt to write the dialogue in Tudor English; if she had, the book would have been very difficult to read, although she might have thrown we readers a passing contemporary word or phrase.  Instead, she wrote the whole biography in modern idiomatic American English, including Merriam-Webster spellings and words such as ‘fall’ and ‘normalcy’ (ouch!).  ‘Autumn’ and ‘normality’ would have been much more appropriate for the biography of an English queen. 

My other issue is Wilcoxon’s unusual perspective on child development.  Whereas one appreciates that children behaved and thought differently in the fifteenth century, Elizabeth’s appreciation of the political situation at the age of six is not believable, nor is her recourse to prayer at that age, whatever may have been written by chroniclers and other primary sources This misunderstanding manifested itself throughout the book, in three year old’s Arthur’s regal bearing during his investiture as Prince of Wales, for instance.

Overall, however, I recommend this biography, of an important, but overlooked, character in English history. 

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Charlie Britten has contributed to FictionAtWorkThe Short Humour SiteMslexiaLinnet’s WingsCafeLit, and Radgepacket.  She writes because she loves doing it and belongs to two British online writing communities.

All Charlie’s work is based in reality, with a strong human interest element.  Although much of her work is humorous, she has also written serious fiction, about the 7/7 Bombings in London and attitudes to education before the Second World War.

Charlie Britten lives in southern England with her husband and cat.  In real life, she is an IT lecturer at a college of further education.

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Sudden Death

Written by Álvaro Enrigue

Translated by Natasha Wimmer
Published by Riverbed Books

Review by Cynthia C. Scott

5 quills
 
 
 
Novelist Álvaro Enrigue returns with his fifth novel Sudden Death in a new English translation by Natasha Wimmer. Published in Spain in 2013, it won the 31st Herralde Novel Prize for its monumental yet intimate examinations about the cultural and political revolutions that swept through Europe and the New World during the Counter-Reformation. Considered among a distinguished list of Mexican writers that include Enrique Vila-Matas, Javier Marías, Juan Villoro, and Roberto Bolaño, Enrigue was awarded the Joaquín Mortiz Prize for his 1996 debut novel La muerte de un instalador, which was also named one of the key novels in Mexico in the twenty-first century. His novels, which also include Hipotermia and Vidas perpediculares, are experimental treatises on the disjointed, unreliable nature of narrative. Sudden Death follows in that same vein.
 
Sudden Death features a dizzying cast of historical figures that includes Caravaggio, Spanish poet Francisco de Quevedo, Hernán Cortéz and his Mayan translator and lover Malitzen (La Malinche), Galileo, and many others. However it’s central conceit revolves around a tennis match between the Lombard artist and the poet and how its outcome will change the course of history. While that might seem a bit hyperbolic, it cannot be overstated that Caravaggio, whose monumental works include The Martyrdom of St. Matthew and The Calling of St. Matthew, did revolutionize painting, giving birth to modern art with his bold use of light and naturalism, and bridging the Mannerism and the Baroque movements in Europe. Yet Caravaggio’s scandalous and often violent personal life (he fled Italy in 1606 after being sentenced to death for killing a young man) and his visionary work are fitting analogies for the cultural and political upheavals unfolding during the Counter-Reformation.
 
The Caravaggio and de Quevedo we meet are crude and sexually adventurous men whose creative energies move off the pages and the canvasses into their personal lives. Caravaggio is still a struggling artist who makes a living by playing tennis matches for bets and commissioned artwork for Cardinal Francesco Del Monte and banking heir Vincenzo Giustiniani. De Quevedo’s friend the Duke of Osuna, who shares the poet’s readiness for “insatiable urges,” was the catalyst for their flight to Italy after the Duke’s three separate scandalous trials. There, in Rome, both artists engage in a battle of tennis, wits, and sexual tension. Watching and betting on the matches are another circle of players which include two of Caravagggio’s lovers, Galileo and Mary Magdalene––a prostitute model who is featured in Martha and Mary Magdalene––as well as back alley drunkards, gamblers, and louts. Enrigue describes the scenes with an eye for satire. “He recognized them: [Mary Magdalene’s breasts] were, of course, the most defiant pair of tits in the history of art.”
 
The match itself would be compelling and absurdly funny on its own, but Enrigue ties the fates of the two men to the larger world canvas. The tennis ball they use during the matches is made out of the hair shorn from the severed head of Anne Boleyn, one of four of “the most luxurious sporting equipment of the Renaissance.” A scapular de Quevedo wears under his clothes was woven from the hairs of the last Aztec emperor who was tortured and ordered executed by Cortéz during his brutal conquest of the Americas. Through this and other objet d’art Enrigue is able to spin his tale outward in sketches, segments, and excerpts from other works, crossing both time and space to introduce historical characters and the political, cultural, and religious movements that shaped the modern world. 
 
Aside from Caravaggio and de Quevedo, Cortéz and Malitzen, whose schemes lead to the destruction of the Aztec empire, the bishop who uses Thomas More’s satirical novel Utopia as a guide to build New Spain, and Francesco Maria del Monte who would become Pope Pius IV form the other compelling tales in the novel. In the middle of it all is the author himself, acting as literary curator archiving Boleyn’s balls, Caravaggio’s art, sixteenth century Spanish dictionaries on the rules and nomenclature of tennis, and other historical objects that breathe life into the past. As the novel progresses, collecting more characters, artifacts, and memories, Enrigue returns to the tennis match to balance out his many diversions. 
 
Natasha Wimmer, who translated Bolaño’s work, does an excellent job in retaining the playfulness in Enrigue’s prose, creating in English a lament that never fails to illuminate the author’s intent: 
 
The rest of infinite America still had no inkling that over the next two hundred years, dozens of thousand-year old cultures that had flourished in isolation, without contamination or means of defense, would inexorably be trashed. Not that it matters: nothing matters. Species are extinguished, children leave home, friends turn up with impossible girlfriends, cultures disappear, languages are one day no longer spoken; those who survive convince themselves that they were the most fit.
 
It would be easy to reduce Sudden Death to a story about the destruction that precedes the rise and collapse of empires and cultures, but the novel is much more than that. Its real purpose is to question narratives, both historical and fictional. As Enrigue writes with an air of resignation and uncertainty, “I don’t know what this book is about. I know that as I wrote it I was angry because the bad guys always win.” In the end, he concludes that “[t]he honest thing is to relay my doubts and let the conversation move one step forward: the readers may know better.” And that is where the heart of the novel rests: its trust in readers.
 
As an historical novel, Sudden Death is a deeply ruminative and wickedly absurd examination of art and history that deserves your attention. It will leave you wondering about narrative, the stories we choose to tell, and how they shape our understanding of the modern world. 
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Cynthia C. Scott is a freelance writer whose fiction, reviews, and essays have appeared in Hakai Magazine, Graze Magazine, Flyleaf Journal, eFiction, Rain Taxi, Bright Lights Film Journal, Strange Horizon, and others. She’s a lifelong resident of the San Francisco Bay Area.

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Destiny’s Rebel

Written by Philip Davies

Published by Books to Treasure 

Review by Charlie Britten

4quills

It’s ten days before her eighteenth birthday and her Coronation as Queen of Anestra and Kat (officially Princess Katelin) is dreading a life of royal duties.  Kat’s parents having been killed in battle when she was small, the country is currently ruled by regents, her Uncle Ethabos and Aunt Sirika, whom annoy Kat to distraction.  When her aunt attempts one last attempt to break her (in other words, to bring her into line) Kat helps herself to one last adventure, by scaling down the wall from her bedroom, escaping from the palace and buying a sea passage on The Oyster Shell.  Captured by slavers, she is taken to the land of Lasseny, but the crew of The Oyster Shell, who promised her safe passage when they accepted her fare, buy her back in the slave market.

Lasseny is not a nice place to be, its residents ground down by punitive taxes levied to keep the evil Duke of Lasseny and his son, Count Bassilius (who thinks he’s going to marry Kat), in luxury.  Kat, however, is with new friends: Armus, a cleric; Hedger, a mercenary; Sigzay, a female mercenary, barbarian and Hedger’s girlfriend.  On a quest for missing segments of the Anestran Crown, said to be in the possession of the Duke, Kat and her companions become aware of fighters and armaments being mobilised in readiness for an imminent attack on Anestra.  They set off on a long trek on foot back home, not only to warn the Anestran Court of the coming Lassenite assault, but because Kat knows, in her heart, that she must return and be resigned to her fate.  Then comes the twist, which I did not anticipate at all.

Published in September 2015, this is Philip Davies’s first novel, available in paperback only.  Targeted at the young adult market, Destiny’s Rebel, like many others in the fantasy genre, is set in a fictitious world and a broadly medieval setting, in which royals live in castles and fighters do battle with bows and arrows, bolts and battering rams.  There are no fantasy animals, though, or magic forces, just humans.

What is significant is the modern role of women: both Kat and Sigzay fight alongside men, and appear to have no obvious domestic roles.  Sigzay, however, is jealous of Kat in a bitchy way, which makes her vulnerable, thereby gaining her the reader’s sympathy.  Sigzay is a particularly well-drawn character.  Kat is a likeable gutsy girl, who wins the reader’s confidence within the first few pages, although she has her flaws, which make realistically, and endearingly, teenage.  

A gently Christian novel, Destiny’s Rebel evokes the Biblical story of Jonah, who, not wanting to go to Nineveh where God had sent him, ended up in the whale.  The Anestrans worship the gentle good goddess whom they call ‘The Divine’, to whom they owe a distinctively Christian duty of love and obedience, while Lasseny is presided over by the evil devil Ilbassi Note that ‘The Divine’ is a woman.

A thoroughly readable first novel by Philip Davies, a page-turner, but thought-provoking.  Hope the young adults enjoy as much as I, an older adult, did.

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Charlie Britten has contributed to  Every Day FictionMslexiaLinnet’s WingsCafeLit, and Radgepacket. She has also written a couple of book reviews for Copperfield Review. She writes because she loves doing it.

All Charlie’s work is based in reality, with a strong human interest element.  Although much of her work is humorous, she has also written serious fiction, about the 7/7 Bombings in London and attitudes to education before the Second World War. Charlie lives in southern England with her husband and cat. In real life, she is an IT lecturer at a college of further education. Charlie’s blog: http://charliebritten.wordpress.com/.

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